By Peter Vakunta
Francis B. Nyamnjoh's Stories from Abakwa is a remarkable depiction of the socio-economico-political realities of Mimboland aka Cameroon. The writer does more than re-write the events that characterize the day-to-day lives of the inhabitants of this terrestrial limbo. What strikes the reader the most in this anthology of short stories is the linguistic engineering that the author adeptly avails himself of. Camfranglais-- the mumbo-jumbo that not only baffles Fineboy Ayuk but leads to his unanticipated demise, is the hallmark of the code-switching that Nyamnjoh employs as a narartive technique in the collection.
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Reviewed by Louise Cuming - Catholic University of Central Africa, Yaounde, Cameroon
Francis Nyamnjoh. The Disillusioned African. Bamenda, Cameroon: Langaa Publishers, 2007. 264 pages. Available on Amazon.com & Michigan State University Press
Some time ago, in 1993, a forum of anglophone Cameroon writers held under the auspices of the Goethe Institute of Yaounde produced, among many excellent articles, a reflection by Tatah H. Mbuy on “The Moral Responsibility of the Writer in a Pluralist Society”. Every such writer, says Mbuy, is to see himself as a spokesman for his society. He must seek the truth, propagate it and defend it. He is to be the prophet and soothsayer of his society, pricking the consciences of all and trying to correct faults where these are to be found. Elsewhere in this forum other participants described present-day anglophone writing as concerned with “deconstructing victimhood”, through a discourse revolving around shared values or reference points.
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